These days the assumption warming up prevents injury seems to be a commonly accepted truth.
So why would Dounis, a master teacher, a medical doctor, a man with a reputation for successfully fixing physical problems recommend playing first thing in the morning without warming up?
Continue ReadingWhat are "Displaced Impulses?"
These are impulses that end up in the wrong part of body when a player is struggling with a passage technically and work contrary to the natural movements of the body. A classic example is someone bobbing their head when playing a difficult passage. Of course it can be any part of the body, but always prevents the natural motion needed to play a passage.
The Cure...
Continue ReadingDounis always told his students to always imagine they were playing on a string 1/2 an inch above the real string.
To understand what he meant, do this exercise...
Continue ReadingDounis said that most string players "don't realize that the technique of Up Bow is very different than the Down Bow."
So... What's the difference?
Here's a breakdown...
Continue Reading
It is debatable whether knowing about Bach's use of numbers and musical affections teaches us better how to play Bach cello suites, but it can't hurt. Bach is known to have used Numerology and the Doctrine of Affectations as a way to personalize his music and express his devotion to God.
Continue ReadingMany violin virtuosos perform the 5th Paganini Caprice, but rarely do you see them play the original ricochet bowings. Alexander Markov not only plays this Caprice but dazzles one with his effortless mastery of these seemingly impossible bowings.
Continue ReadingI was working with an exceptional violinist the other day and discovered that she didn't know this important but little known fact of the bow. This is how the conversation went. I said to her...
What is the line or direction of the pull on the down bow?
Quickly we deduced that it is to the right and horizontal.
Then I asked her what is the direction of pressure?
After considering it for a moment it was discovered to be vertical or downward. Then we proceeded to the up bow.
Continue ReadingMiming is one of the great secrets of learning to have a natural technique.
The idea is really simple...
While holding the instrument you sing a passage while miming the movements of the left hand and bow arm. Feel the motions of the miming and then imitate those motions when you play normally. Repeat this exercise until your technique feels the same as the miming.
Continue ReadingHi String Lovers...
Here's a present for your stocking.
To find a natural bow grip in 10 seconds or less...
Continue ReadingHow does this relate to cello playing?
Regarding the natural physiological laws of string playing, Dounis said…
“The body is more important than the instrument.The instrument is an extension of the body.”
Dounis would conform the instrument to natural bodily motions. He made the cello fit you.This is how you make your playing completely natural.
Continue ReadingThe reason Dounis can awaken your cello genius is because he can show you the root cause of your cello problems and how to solve them.
To solve a problem you must know the cause...
Would a doctor prescribe a medicine for a patient without first diagnosing the illness? Of course not.
So what is the cause of your cello problems?
The answer is simple...the basics.
Continue ReadingThe foundation of the Dounis method was reawakening your native instincts. He had remedial exercises for restoring those instincts and allowing the natural player to emerge...just like a prodigy.
Usually the first question is...
Can I play the cello like a child prodigy?
Yes, once your native instincts are reestablished, then the instrument becomes an extension of your body and not the other way around. Then you become a natural player, just like a prodigy.
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